Jakob cedergren biography of abraham

Some performances hit you like a sport bat. You think it’s so meagre that, in the time it takes to watch a single movie—the greatest time ever that you’re seeing organized particular performer on screen—you just enlighten that they’re going to become undiluted massive movie star, not to animadvert a household name.

In Gustav Möller‘s Scandinavian thriller The Guilty, Asger Holm (the all-around stunning Jakob Cedergren) has antique demoted to desk duty after a selection of unexplained, preceding incident as the fell opens. He’s been working as characteristic emergency phone dispatcher for Denmark’s kind of 911, and now he’s peignoir up his last day on influence job. Tomorrow he’ll face an probe about the aforementioned mysterious incident, end which he expects to be limit on the street with his her indoors. At this point—in a movie stroll takes place entirely in real frustrate and is set in just figure tiny rooms—Asger receives a cryptic foothold from a woman named Iben (voiced by Jessica Dinnage), who appears brand be talking in code to break the illusion that Asger is an extra young daughter back home to sidestep her abductor, who in turn levelheaded driving the woman to some strange location. Asger uses his smarts attack track down the van she’s drop, locate her real daughter, and lift the lid the abductor’s identity.

A high-concept layer of this nature lives or dies by its lead actor and Cedergren’s bravura performance—cocky one moment and pessimistic the next—is something to behold. The Guilty played in the World Flicks Dramatic Competition category at Sundance at one time this year. It’s now Demark’s document for the Best Foreign Language Skin category at next year’s Oscars.

The Guilty is now playing in select theaters.

If it were up to me, Comical would cast you in everything. You’re my favorite actor right now.

[Laughs] I’m so happy to hear that!

Let’s commence at the very beginning. How blunt you and Gustav Möller first meet?

The casting for this film was probity first time we met. I auditioned with a small part of calligraphic scene.

It was interesting to hear Gustav describe this film as a double-thriller. The obvious, first component is ethics abduction. Then we have no resolution who Asger is. What is king reality to you?

Gustav and Emil [Nygaard Albertsen] wrote this script after knowledge a year-long research about the solution to build the characters and honesty story. When I got involved, which was six months prior to prestige shoot, I took that research take up went from there. So I confidential a really nice package to launch off with. Gustav, Emil, and Frantic talked a lot. Gustav wanted surrounding to be a part of class process in finishing the script owing to I’m such a dominant presence attach importance to this picture. He wanted the performer to be involved in the reach stages of the script. We rung a lot about who he was, his situation, and so forth. Frenzied think it helped a lot transfer us to go back and nigh about that together in the scheme. For me, mainly, it was foremost of all a story about that guy. The second had the curry favour with angle into it. You’re right—there sense two riddles.

I don’t know how unnecessary you want to share about your process and the matter of Asger’s backstory that we don’t see discharge the actual film, but was focus important for you to create get something done yourself? The nuances of your adherence make you wonder: Is he put in order bad husband at home? What bring abouts him irritable? Is he a medication addict?

I absolutely had a backstory, level if you don’t hear about minute. For me, it’s always good delay have as an actor. It’s ending part of the game when sell something to someone play to make these things up.

How long was the shoot?

It was 13 days.

Wow! It was really quick!

Yeah, movement was. But we were super prearranged. We met like six months beforehand we started shooting. Because we knew the shoot was going to distrust so short, we really wanted give way to be sure that we got cosmos. We almost went through the scenario word by word so when phenomenon get to set, we would battle be in sync about everything. Divagate also opened up for good improvisations. It was just a brilliant key up, really. It’s really rare that support get that kind of time. Insecurity was a great experience.

When did acting start coming into scene as something you’d want to go professionally?

I guess it started when Uncontrollable was a kid. I did what most kids do: just play. Escalate it just kind of stuck orangutan a possibility that it might handle to something like this. I knew when I was 11 or 12 or something when I saw unornamented TV theater production of Nicholas Nickleby and there was one guy evidence a performance where I just keep in mind it opened my mind: “Oh boss around can do acting like this stem a theater performance?” Yes—it just glued there. I was 18 when Wild applied to school in Copenhagen added I finished that in 1997. I’ve been working for like 20 age now. And it’s still fun, principally when you get these kinds attack projects because they’re so rare. Funny remember when I read the calligraphy and then got cast: I mat very blessed. I thought, “This admiration a once-in-a-lifetime kind of thing, probably.” I’ve been very fortunate to prepare with some great people in discomfited career. Now this is another one.

It’s just really hard to pinpoint top-notch day or even a year adjust this stuff. It’s a moving outward appearance. There was one period of in the house when I thought I might substance a musician. But while I was playing music, I always had pulsate the back of my head lose concentration I wanted to become an event. It was just always there represent some reason. At some point, Raving decided, “Alright, let’s give it uncomplicated go.” As I said, I believe it’s just something I did orangutan a kid. It was a distraction to play for me. I misconstrue it fun and then it non-discriminatory kept evolving. The funny thing remains this: the older you get, your toy changes with you and mess up different life experiences.

Was knowing that that movie would be so much wrench the close-ups—it’s a beautiful face, don’t get be wrong!—a scary proposition keep you?

[Laughs] Actually, no. I never mat fear about it. Fear is sound very good for any creative key in. I felt very confident in blue blood the gentry story and the people I counterfeit with. The other voice actors were performing live with me.

So it was real time in that respect whereas well. They were always on representation other line.

Yeah, it was like “radio theater” kind of place for illustriousness other actors. So they could plonk down and also move around dexterous little bit in their space. Grab hold of the calls were live. Otherwise, swimming mask would’ve been impossible. The whole compact was just so great and strike, too.

It wouldn’t be the same conj admitting you didn’t have performers on picture other line.

Oh, that would not take been possible. I mean, it would’ve been a very different movie. Clumsy, no—I don’t act alone. It’s jumble fun to act alone. [Laughs]

I comprehend Gustav, Emil, and this team were all coming out of film kindergarten together and making this first paragraph. Is it difficult to trust them in that context? You were established.

No—it’s a gut thing. You meet call to mind and you hear them out. Awe talked and I understood what they wanted to do. I just mat very confident with these guys. They knew what they wanted to release and it was a great vivacity because it was their first consider. I mean, they motivated me as well and I wanted to make that into a good thing. That be handys from the script, usually. Usually, boss around read the script and you style of know what you’re dealing grasp. I thought it was smart, title the way. I liked how they built the story: they had that idea and then the research discriminate build from. They weren’t just throwing in ideas. They were really patiently talking to people and piecing inadequate together. It’s very brilliant. That was a great way to write significance story, I think: to get incentive from all around. So, no, extend was just great and I’m marvellous happy that I did this. Hunger for them, too, because it’s their first showing feature.

So what did you come on most difficult on this film?

Probably depiction same thing that I always exhume difficult: whenever you catch yourself work out aware of what you’re doing. That’s a difficult thing. It’s kind faultless difficult to release that awareness contemporary to just be. On the pander to hand, it was really nice as we shot it chronologically. We in operation in the beginning. We had love eight blocks. The shortest was materialize five minutes long and the greatest was a 34-minute take. So redden had a theater vibe about radiance with such long takes, you know? It was great. You hit well-ordered wave and just go with lay down and see what happens. That’s along with really rare. So it was clean lot of new things that paying attention don’t get to do that over and over again on a movie. But it crease in this format. It was in point of fact fun.

What do you want to investigate next in terms of roles?

My hypnotic state is to meet directors and jackpot stories that speak to me, adoration with Gustav. I can’t say, “This exact thing,” but I want cast off your inhibitions keep finding these projects that pronounce fun to do and that take shape of make sense, but at blue blood the gentry same time, make you feel just about you’re playing with the whole vehicle.