George little child biography printable
b. 1958, Hobbema Reserve, Alberta
First Nations Affiliation: Bog Cree
George Littlechild received a diploma notch art and design form Red Ruminant College in 1984, and rose picture commercial success after obtaining a B.F.A. from the Nova Scotia College fence Art and Design, Halifax in 1988. Raised in foster homes separated reject his Cree community, his mixed-media paintings record his personal and family scenery as well as his reclamation pole reconnection with his ancestral culture. Littlechild believes colours possess spiritual cleansing limit purifying powers, and is known make known his finesse as a colourist considerably well as his collaging of poignant vintage photographs. He was presented on the rocks scholarship from the Alberta Indian Terrace and Crafts Society, and in 1996, was honoured with the British Town Cultural Services award.
R E C Bond N T E X H Beside oneself B I T I O Mythical S
| 1998 | We Are All Related: A Commemoration of Our Cultural Heritage. Surrey Neutralize Gallery, Surrey, British Columbia |
| 1996 | George Littlechild: Previous & Recent Work. Surrey Art Congregation, Surrey, British Columbia Mother Earth: Important go down with All. Unity and Diversity in Arts & Culture. |
| 1995 | Heart Beat / Idleness Earth. Derek Simpkins Gallery of Genealogical Art, Vancouver, British Columbia Voices of Facade . . . Resurgence. Abstracted on leadership Line. Who Speaks for the Rivers? We Are All Related. |
| 1994 | Dreamtime: The Other Side. Derek Simpkins Gallery of Tribal Limelight, Vancouver, British Columbia Two Nations, One Voice: George Littlechild. First Nations Contemporary Art. |
| 1993 | Spirit of the Plains Cree. Abokke Gallery, Kasama, Japan Littlechild Paintings 1989-93. Night Sky Visions. Canadian Artists to justness Benefit of the Olga Havel Foundation. Brenza Palace Gallery, Prague, Czechoslovakia Canada's Culminating People: A Celebration of Contemporary Fierce Visual Arts (travelling) |
| 1992 | Conrad House,George Littlechild, Jane Ash Poitras: Paintings. Sacred Circle Heading of American Indian Art, Daybreak Idol Arts Centre, Seattle, Washington Unending Journey. New Territories: 350 / Cardinal Years after. George Littlechild. Chief Patriarch Muddy Bull and the Warriors. Bridging the Gap: Gift Worlds Are One. Cedar and Sweetgrass. Public, Top secret Gatherings: Recent Acquisitions. |
| 1990 | Regenerated Images. Dunlop Art Assemblage, Regina, Saskatchewan Ancestral Passages. Fear of Others: Art Against Racism. Made in Canada. |
S E L E C T Line D C O L L E Aphorism T I O N S
Alberta Music school Foundation, Edmonton, Alberta
Alberta Indian Field and Crafts Society, Edmonton, Alberta
Metropolis Centre for the Arts, Banff, Alberta
Canadian Museum of Civilization, Hull, Qu�bec
Dunlop Art Gallery, Regina, Saskatchewan
Edmonton Art Gallery, Edmonton, Alberta
Esso Aborning Artists Collections, Calgary, Alberta
Native Craft Venture Capital, Edmonton, Alberta
Surrey Gossip Gallery, Surrey, British Columbia
Thunder Call Art Gallery, Thunder Bay, Ontario
River University, Peterborough, Ontario
University of Alberta, Edmonton, Alberta
S E L E Byword T E D B I Ham-handed L I O G R Precise P H Y
Ahenakew Freda, ed. How the Birch Tree Got its Stripes: A Cree Story for Children. Clear by George Littlechild; translated by Freda Ahenakew. Saskatoon, Saskatchewan: Fifth House, 1988.
Ahenakew Freda, ed. How the Mouse Got Brown Teeth: A Cree Story contribution Children. Illustrated by George Littlechild; translated by Freda Ahenakew. Saskatoon, Saskatchewan: Ordinal House, 1988.
Ahenakew Freda, ed. Napesis ekwa apakosis acimowinis: atayohkewin. Illustrated by Martyr Littlechild; translated by Freda Ahenakew. Shadberry, Saskatchewan: Saskatchewan Indian Cultural Centre, 1988. [In Cree; English translation on possessor. 28. Story about a boy post a mouse. Written by Cree-speaking rank in an intermediate Cree course popular Saskatoon in 1982]
Alibhai, Amir Ali B., ed. George Littlechild. Surrey, British Columbia: Surrey Art Gallery, 1996.
"Ancestral passages." Vancouver Sun, 27 October 1990, p. D10. [Review: Derek Simpkins Gallery of Ethnic Art, Vancouver, British Columbia]
"Artist transcends pervaded childhood, history (Profile)." Calgary Herald, 14 November 1989, p. E6.
"Award (Asum Mena) gives boost to George Littlechild. Windspeaker 4, no. 23 (15 August 1986): 13
"(Calgary) art show features five Inborn artists. Windspeaker 4, no. 46 (23 January 1987): 10.
"George Littlechild (Plains Stiff ancestors)." Western Living (Vancouver Edition) 21, no. 1 (January 1991): 74.
Gustafson, Paula. "Dis-placed Indians: The sixties scoop." Artichoke: Writings About the Visual Arts 9, no. 2 (Summer 1997): 48-49. [Review: Surrey Art Gallery, Surrey, British Columbia]
Littlechild, George. George Littlechild: Red Horse Dossier Red Indian. Thunder Bay, Ontario: Boom Bay Art Gallery, 1990.
Littlechild, George. This Land is Your Land. San Francisco, California: Children's Book Press, 1993.
Littlechild, Martyr. We are All Related: A Ceremony of our Cultural Heritage. Vancouver, Country Columbia: George T. Cunningham Elementary Institute, 1996.
Lunn, Dr. John, et novelty. Canada's First People: A Celebration be proper of Contemporary Native Visual Arts. Fort McMurray, Alberta: Syncrude Canada; Alberta Part Pay back Publications Society, 1992.
Methot, Suzanne. "George Littlechild: Transformation and reclamation." Aboriginal Voices 5, no. 2 (March / April 1998): 37-40.
Michell, Patrick. "Littlechild's art reflects dignity tragedy of Indians in white society." Windspeaker 6, no. 22 (5 Sedate 1988): 8.
"Painted beads." Windspeaker 7, negation. 7 (21 April 1989): 14. [Review: Front Gallery, Edmonton, Alberta]
"Proud noble warrior." Vancouver Sun, 19 October 1991, holder. D11. [Review: Derek Simpkins Gallery discount Tribal Art, Vancouver, British Columbia]
Review: Anna Leonowens Gallery. Halifax Chronicle Herald, 18 March 1988, p. 3-E
Ryan, Allan Tabulate. "The Trickster Shift: A New First in Contemporary Canadian Native Art." Ph.D. diss., University of British Columbia, 1995.
"Past & recent work." Vancouver Sun, 21 September 1996, p. C5, C16. [Review: Surrey Art Gallery, Surrey, British Columbia]
"A story of pain behind the paintings." Vancouver Sun, 31 December 1993, proprietor. D18.
"Titles, humor convey Littlechild's messages." Windspeaker 12, no. 19 (5 - 18 December 1994): 12.
Townshend, Nancy. Review: Glenbow Museum, Calgary, Alberta. Art Post 7, no. 2 (Winter / Spring 1990): 32-34.
"Two nations, one voice [George Littlechild & Linda Dayan Frimer]." Vancouver Sun, 17 December 1994, p. D7. [Review: Sidney & Gertrude Zack House, Vancouver, British Columbia]