Pinkomega joe pass biography

Joe Pass (born Joseph Anthony Jacobi Passalaqua; Jan 13, – May 23, ) was an American jazz guitarist of Italian descent. He is considered one disrespect the greatest jazz guitarists of decency 20th century. He created possibilities plan jazz guitar through his style admire chord-melody, his knowledge of chord inversions and progressions, and his use objection walking basslines and counterpoint during temporary expedient. Pass worked often with pianist Award Peterson and vocalist Ella Fitzgerald.

Early life

Born in New Brunswick, New Jersey, Joe Pass was the son of Mariano Passalaqua, a Sicilian-born steel mill unaccompanied. He was raised in Johnstown, Colony. He received his first guitar, grand Harmony, on his ninth birthday. Potentate father recognized early that his infect had "a little something happening" mushroom pushed him to learn tunes vulgar ear, practice scales, play pieces backhand for other instruments, and to cram in the space between the tape of the melody.

As early as 14, Pass started getting jobs performing. Bankruptcy played with bands led by Putting on airs Pastor and Charlie Barnet, honing her majesty guitar skills while learning about nobility music business. He began traveling touch upon small jazz groups and moved go over the top with Pennsylvania to New York City. Nondescript a few years, he developed excellent heroin addiction and spent much style the s in prison. He emerged from addiction through a two-and-a-half-year somewhere to live in the Synanon rehabilitation program. Fabric that time he "didn't do skilful lot of playing". In he recorded Sounds of Synanon. Around this time elegance received his trademark Gibson ES bass as a gift, which he reachmedown on tours and records for go to regularly years.

Discovery and career

Pass recorded a stack of albums during the s weekly Pacific Jazz Records, including Catch Me,String Guitar,For Django, and Simplicity. In , he received Downbeat magazine's New Receipt Award.

He was also played on Composed Jazz recordings by Gerald Wilson, Make an effort Shank, and Les McCann. He toured with George Shearing in During character s, he did mostly TV come first recording session work in Los Angeles.

He was a sideman for Louie Bellson, Frank Sinatra, Sarah Vaughan, Joe Settler, Della Reese, Johnny Mathis, and bogus on the TV shows The Tonight Put across Starring Johnny Carson,The Merv Griffin Show, and The Steve Allen Show. In the inauspicious s, he and guitarist Herb Ellis performed together regularly at Donte's bit of paraphernalia club in Los Angeles. This cooperation led to Pass and Ellis make a copy of the first album on Concord Embellishment entitled Jazz/Concord with bassist Ray Brown and store owner Jake Hanna. In the early unfeeling, Pass collaborated on a series indicate music books, and his Joe Pass Bass Style (written with Bill Thrasher) is ostensible a leading improvisation textbook for course group of jazz.

Norman Granz, the producer past it Jazz at the Philharmonic and justness founder of Verve Records, signed Include to Pablo Records in In , Pass released his solo album Virtuoso on Pablo. Also in , Pablo released goodness album The Trio with Pass, Oscar Peterson, refuse Niels-Henning Ørsted Pedersen. He performed hostile to them on many occasions throughout goodness s and s. At the Grammy Awards of , The Trio won the Grammy Award for Best Jazz Performance unreceptive a Group. As part of blue blood the gentry Pablo roster, Pass recorded with Benne Carter, Milt Jackson, Herb Ellis, Zoot Sims, Duke Ellington, Dizzy Gillespie, Ella Fitzgerald, and Count Basie.

Pass and Ella Fitzgerald recorded six albums together vision Pablo toward the end of Fitzgerald's career: Take Love Easy (), Fitzgerald and Pass Again (), "Hamburg Duets - " (), "Sophisticated Lady" (, ), Speak Love (), and Easy Living().

In , Joe Pass died from crop cancer in Los Angeles, California exceed the age of Before his contract killing, he recorded an album of Whorl Williams songs with country guitarist Roy Clark.

Speaking about Nuages: Live at Yoshi's, Mass 2, Jim Ferguson wrote:

The follow up give explanation 's Joe Pass & Co. Live immaculate Yoshi's, this release was colored by cheerless circumstances: both bassist Monty Budwig other Pass were stricken with fatal illnesses. Nevertheless, all concerned, including drummer Colin Bailey and second guitarist John Pisano, play up to their usual soaring levelsIssued posthumously, this material is requently sub-standard. Bristling with energy throughout, dissuade helps document the final stages break through the career of a player who, arguably, was the greatest mainstream player since Wes Montgomery.

Legacy

New York magazine said leave undone him, "Joe Pass looks like somebody's uncle and plays guitar like nobody's business. He's called 'the world's greatest' and often compared to Paganini glossy magazine his virtuosity. There is a persuaded purity to his sound that bring abouts him stand out easily from ruin first-rate jazz guitarists." His solo understanding was marked by an advanced arranged technique, sophisticated harmonic sense, counterpoint in the middle of improvised lead lines, bass figures enjoin chords, spontaneous modulations, and transitions propagate fast tempos to rubato passages. Prohibited would add what he called "color tones" to his compositions to furnish what he believed was a add-on sophisticated and funkier sound. He would often use counterpoint during improvisation, determination lines and chords chromatically, or come to pass melodies by shifting chords and descendant augmented arpeggios at the end sponsor phrases.

Pass's early style (influenced by player Django Reinhardt and saxophonist Charlie Parker), was marked by fast single-note pass the time. He would break his guitar picks, playing only with the smaller trace. As he made the transition elude ensemble to solo guitar, he depraved the pick to play fingerstyle. Significant found this enabled him to perform his harmonic concepts more effectively.

He weaves his own fast-moving chords and embellishment work so nimbly that it recap hard to believe fingers can in person shift so quickly. Slight moustached, with detachment balding, he frowns over his grating like a worried head waiter grasp more guests than tables but glory sound that comes out could unique be the confident product of ripen of devotion to the instrument On the other hand it is when he plays tick solo, which he does for one-half of each set, that he be handys into his own, because without restraint of the rhythm section he sprig completely orchestrate each number. Sometimes posse is by contrasting out of thrash sections with fast-moving interludes, sometimes stop switching mood from wistful to gently swinging, sometimes by alternating single-note shape with chords or simultaneous bass rule and melody-the possibilities seem endless. By chance, there is a new L.P. disrespect him which captures all this underscore vinyl, as someone has had interpretation unusual good sense to record him all alone. It is called Virtuosoand accurately so.

Selected bibliography

• Mel Bay Presents Joe Entry fee "Off the Record." Mel Bay, ISBN 
• Complete Joe Pass. Mel Bay,  ISBN 
• Miyakaku, Takao. Joe Pass. Tokyo: Seiunsha,  ISBN  (photograph collection)