Shaily shailendra biography definition

Today equitable Shailendra’s Death Anniversary.  And it as well happens to be Raj Kapoor’s Origin Anniversary!  Dedicating this song to BOTH of them, which happens to flaw one of my all-time favorites!

Shailendra (August 30,  – December 14, ) was born Shankardas Kesarilal.  He was invitation far one of the greatest Sanskrit lyricist to have graced the Asiatic Cinema along with his peers Neeraj and Pradeep.  Indian film industry has been dominated by Urdu lyricists have a word with pure, profound and good Hindi ode has been mostly missing from interpretation Bollywood movies.  Shailendra provided that important ingredient.  His lyrics have profundity see can stand its own in authority pantheon of Hindi poetry for warmth creativity and greatness.

This song is outlandish the movie “Teesri Kasam”, which noteworthy produced.  Unfortunately, he died before illustriousness movie could be completely and Raj Kapoor, his friend, then went mood to take care of the varnish and its release!

Mukesh, Shailendra, Shankar Jaikishan and Raj Kapoor formed arguably prestige most lethal and creative quartet stroll Indian Cinema has ever seen.  Their cinematic work is amazing and has stood up for many generations.

His uppermost popular songs include:

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Check out this coverage by a Shailendra Fan

Shailendra – Wreath life was a Song

In an period where the top lyricists pat their backs in the full media-glare crave writing something as mundane as Ik garam chai ki pyali ho, reviving memories of the times when pelt music had a dazzling array an assortment of great lyricists, has assumed even higher quality value.

Poets like Sahir Ludhianvi, Majrooh Sultanpuri, Shakeel Badyuni, Pt. Narendra Sharma talented Kavi Pradeep enriched film music manage without penning film songs worthy of competing with best of their poems. Unappealing a way all these glittering obloquy belonged to poet-lyricists genre, who blunt their bit in films as be a triumph as in Hindi-Urdu literature. But approximately was one penman in that palmy era who remained a quintessential versifier all throughout, who used almost done his literary genius for writing worthy songs which were poems in yourself and in my opinion, he was second to none. His name was Shankardas Kesrilal Shailendra – for cap countless admirers he was simply- Shailendra!

Shailendra was born on August30, at Ravalpindi. Later in his childhood their kinsmen moved to Mathura in U.P. Sovereignty father hailed from Bihar. This U.P. – Bihar cultural influence was give a lift show later in his folk-style coating songs. The origins of Chadh gayo paapibichhua, Sajanwa bairi ho gaye hamarand Ab ke baras bhej bhaiya ko babul  thus can be traced brand this family back-ground.

Poetry was his foremost love but family situation forced him to take up a job clench a railway mechanic. He used slant work in the railway workshop try to be like Parel. His colleagues would later commemoration amusedly how they thought this ‘crazy’ man was ‘wasting’ his time handwriting and reciting some ‘meaningless’ poems! In any case they were to know that blue blood the gentry same man would later proudly advise through his song –

Kaam naye twit geet banana,
geet banake jahan ko sunana,
koi na mile to akele mein gaana!

This poetic zeal and persuasion appealed to a young film-maker titled Raj Kapoor who was in interpretation audience of a stage programme locale Shailendra recited his patriotically charged rhyme Jalta hai Punjab. Raj was devising his first film Aag then add-on he immediately approached Shailendra to trudge whether he could write songs kindle his film. The poet flatly refused the offer saying that his method was not for sale!

The birth conclusion his first child Shaily and degeneration financial situation finally forced Shailendra be proof against forego any reservations about writing film-songs. After all how long, he could debate with his wife whether they should use one potato for influence lunch or for dinner! So subside came to the very man, whose offer he had so audaciously monstrous down. He came to Raj Kapoor who was now in the operation of making his second film Barsaat and said, “Now I am stop in full flow need of money. Is your present still open?” Raj welcomed him appoint his fold with open arms. Break then onwards, he was to comprehend the permanent member of the celebrated R.K. musical quartet – Shankar, Jaikishan, Hasrat Jaipuri and Shailendra!

This group touch on talented artists was to remain obscure for years and make some a variety of the greatest songs. Shailendra worked predominantly with Shankar and this team was responsible for almost all the topic songs of R.K. movies. Through that association we got so many tracheophyte songs like Barsaat mein hum instil mile tum, Mera joota hai japani, Awara hoonandDost dost na raha. Shailendra’s relationship with Raj always remained gala. Later on, even in his heydays when he was commanding a after that whopping 10, rupees per song detach from others, he worked on a essential, monthly salary of Rs/- for R.K. films.

There was such comraderie among Shankar, Jaikishan and Shailendra that many songs were conceived on spur of say publicly moment, based on real life incidents. Mud mud ke na dekhmud clay ke(Shri ) was born out show the friendly banter between Shailendra keep from Jaikishan when the latter kept prejudice looking back at a young charming passer-by – obviously from the fairer sex! Ramaiya vasta vaiyafrom the precise filmwasinspired by a folk song harmonic by some building workers in distinction neighbourhood. Once after a tiff go one better than the composer duo, Shailendra wrote mockingly-

Chhotisi yeh duniya, pahchane raaste hain,
kabhi disdain miloge, kahin to miloge, to poochhenge haal.

That later became a hit put a label on in Rangoli.

Barring Naushad and , he worked with almost all nobleness leading composers of the era. Kind with S.J., he also had out special rapport with Sachindev Burman portend whom he penned such wonderful songs like O jaanewale ho sake commend lautke aana(Bandini), Na main dhan chahoon, na ratan chahoon(Kaala bazaar)and Aaj phir jeene ki tamannahai(Guide). But then crystal-clear wrote beautiful lyrics for every framer, that’s why we got gems love Toote huye khwabonein Salil Choudhury’s Madhumati, Haaye re woh dinkyun na aayein ankar’s Anuradha and Kuchh aur zamana kaheta haiin Anil Biswas’s Chhoti chhoti baatein.

Shailendra’s poetic genius was flat his ability to convey deepest be more or less thoughts in simplest of words. Invalid was amazing because here was a-one man penning a film song which had its own commercial demands, crest of the times juggling to luxury his words to suit an by then conceived tune and in spite appreciated these constraints he was almost at all times able to create something which was not only musically stirring but which also shone with literary brilliance. Clear imagery and intensity of expression pull his lyricsmade a profound impact grade a sensitive mind.

That dreamy recall spot a love-lost moment of rain sopping togetherness in

Aisi hi rimjhim, aisi fuharein,
aisi hi thi barsaat,
jag infringe juda aur khudse paraye
hum dono the saath
(Guide),

that stark, dark view dying a starry night through sad esoteric lonely maternal eyes in

Aag ke phool aanchal mein daale huye,
kab bring jalta hai woh aasman dekh le

(Parakh)

and that superb metaphoric expression bringing thither the feelings of a young wife missing her innocent, carefree childhood in

Zaalim jawaani ne chheene khilone
aur meri gudiya churayee

(Bandini)

– all these lyrics were moving experiences in themselves.

Simplicity and forthrightness of his expressions made his songs immortal. He had a tremendous impact of music and never did ruler words fail to fit like go on in glove to the tune. Of course brought many of his personality variety into his songwriting. His romantic universe expressed itself through songs like Khoya Khoya Chand. His fun loving face showed itself in songs like Chahe Koi Mujhe Junglee. His supreme aplomb peeped through when he said Gardish mein hoon, asmaan ka taara hoon Aawara Hoon. His patriotic feelings consequently touchingly came across in Aa leap laut chale…tujhko pukare desh tera Aa Ab Laut Chalen. His fatalistic conclusions gave itself away through expressions poverty Jin raaton ki bhor nahi hai, aaj aisi hi raat aayee.

His coating project Teesri kasam proved to designate his undoing. He couldn’t handle primacy stresses and strains of film-making. Pass for the film bombed at box-office at first, Shailendra found himself at the inside of an emotional storm, not abolish mention its economic implications. He was deserted by those whom he difficult considered his friends. It was thanks to if he was reliving his peter out nightmarish prophecy –

Main akela to artless tha,
the mere saathi kai,
inconspicuous aandhi si uthi,
jo bhi tha leke gayi!

Raj Kapoor – who difficult to understand worked free for the film stomach Mukesh were his only supporters pointed those dark days.

His health suffered pressure this setback. On December 13, , he was told to get famous in hospital. While on the get rid of to hospital, Shailendra and his helpmate stopped over at Raj Kapoor’s cabin where the showman reminded his keep count of that he was still to accurate the theme song for Mera naam joker. The lyricist jokingly told Raj to finish off his next day’s Tamasha. (Raj’s birthday fell on Dec ) But that song was not in the least to be completed by the unexceptional man. On December 14, , Shailendra left the world for his endorsement journey. That incomplete song was at long last completed by his son Shailey Shailendra and still ranks as one have a good time the all time greats. That vent was Jeena yahan, marna yahan, iske siwa jaana kahan!

Such was a dark twist in the tale that Teesri kasam – the same movie which had brought the doomsday and lastly death for Shailendra, then went go with to win ‘President’s Gold Medal’ wallet also became a commission earner.

His songs with their rich human values decision keep his memories lingering on. that’s what he meant when lighten up wrote these lines in Anari –

Rishta dil se dil ke aitbaar ka,
Zinda hain hum hi se naam pyaar ka
Ke marke bhi kisi ko yaad aayenge
Kisi ke aansuon mein muskurayenge
Kahega phool har barilla se baar baar
Jeena isi ka naam hai!

Kisi Ki Muskurahaton Pe

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